Indigo Vat Drop-in Sessions

October 24 & 25, Monday and Tuesday afternoon

$30 for a 2-hour session

Appointments TBD

 

Continue to experience or try out indigo dyeing for the first time.  Fabric samples will be done (no full garments please, as that uses up the vat).  Fabric pieces must be “scoured” ahead of time, for cotton, linen, silk (directions will be sent to you).    We will do shibori folding and clamping for interesting patterns and surprises when revealed.   Appointment schedule TBD, registrants will be contacted to set up appointment times.


Constellation Collaboration with UNL Students: Monoprint & Collage Printstallation

April 1 – April 26, 2022

April 1 First Friday Reception 6:00 – 8:00

This exhibition presents the workshop investigations of invited UNL art students to engage with monoprinting and “gum transfer” techniques for a three-day intensive experience to create a variety of images and materials for a collaborative installation project for the gallery walls. The students include Joselyn Andreason, Kassidy Linaberry, Mya Levitch, Reid Martin, Katherine Morrow, Javier Rivera.  They will respond to new ways of working and the collaboration challenge to push and explore new directions.   This process offers unknowns yet feedback, decision-making and problem solving….asking constantly “what about this!” Organized and coordinated by UNL UCARE and Constellation Studios student intern Joselyn Andreason this outreach project intends to step off the edge of traditional presentations to take us into a new vision of “what could be” using print-based media as a vehicle for installation work.

Read about this trend in contemporary prints:

“Ink/The Lexicon of Tomorrow:  Print-Based Installation” by Sarah Kirk Hanley

https://magazine.art21.org/2011/04/08/ink-the-lexicon-of-tomorrow-print-based-installation/#.YiqoV8ZMEWp

 


Constellation Collaboration with UNL Students: Monoprint & Collage Printstallation

April 1 – April 26, 2022

April 1 First Friday Reception 6:00 – 8:00

This exhibition presents the workshop investigations of invited UNL art students to engage with monoprinting and “gum transfer” techniques for a three-day intensive experience to create a variety of images and materials for a collaborative installation project for the gallery walls. The students include Joselyn Andreason, Kassidy Linaberry, Mya Levitch, Reid Martin, Katherine Morrow, Javier Rivera.  They will respond to new ways of working and the collaboration challenge to push and explore new directions.   This process offers unknowns yet feedback, decision-making and problem solving….asking constantly “what about this!” Organized and coordinated by UNL UCARE and Constellation Studios student intern Joselyn Andreason this outreach project intends to step off the edge of traditional presentations to take us into a new vision of “what could be” using print-based media as a vehicle for installation work.

Read about this trend in contemporary prints:

“Ink/The Lexicon of Tomorrow:  Print-Based Installation” by Sarah Kirk Hanley

https://magazine.art21.org/2011/04/08/ink-the-lexicon-of-tomorrow-print-based-installation/#.YiqoV8ZMEWp


First Friday February 4, 2022. Selections of Prints from the Constellation Studios Collection

Visit for demonstrations of printmaking on the letterpress and etching presses.  Bring a T-shirt for a screen printed design!

January 20 – February 20 – Selections of Prints from Constellation Studios Print Collection
Works by:  Philip von Raabe, Christopher Stewart, Melanie Yazzie, Xu Bing, Akira Kurosaki, Pam Longobardi, Adele Henderson, Carol Summers, Lari Gibbons, Maureen Cribbs, Suzie Treinen, Rokeya Sultana, Patricia Hernandez, Kevin Garber, Isaiah Jones, Bob Nugent, Tanja Softic, K Stevenson, Barbara Takenaga, Steven Sorman.

Works gathered over many years, mostly in trading, as gifts, purchases, or inclusions in exchange portfolios, these are a selection to enjoy and surprise, as a veritable Who’s Who!


Lincoln Calling: Screen Printing Workshop with Karen Kunc

Lincoln Calling is teaming up with Constellations Studios for an afternoon screen printing workshop. Located conveniently down the street from the festival grounds, ticket holders who sign up will learn how to print their own posters and t-shirts at Constellations Studios which offers access to facility and equipment for printmaking, book arts, letterpress, and more. You will learn how to develop a screen, what goes into making a t-shirt, how to print multiple colors, and much more.

 

Free for Lincoln Calling Festival ticket holders with reservation.  Others $40 to be paid on site day of workshop.

Space is limited to 10;  open to the public. Masks are required.

Call 402-429-8239 to reserve your space, leave your name & phone number.   We will confirm before the workshop.


Surface Impressions: International Print Show

June 5th – August 28th   2020

Juror: Mark Pascale
Janet and Craig Duchossois Curator of Prints and Drawings, The Art Institute of Chicago

co-organized by Constellation Studios and Lux Art Center

 

  • First Friday June 5,

visit by appointment 12noon – 8pm

Call 402-438-0049 or

email: karen@constellation-studios.net

  • June 11, 6-7pm Facebook Live from LUX Facebook – Curator Talk – Mark Pascale
  • June 13, 10 – 11am 2020 –Coffee with the Curators – Mark Pascale and Susan Soriente, Zoom
  • summer 2020 – events, workshops, steamroller printing all TBA

 

Surface Impressions intends to connect artists and audiences to the 21st century language of relief printmaking as a viable engagement for today.

The exhibition includes 75 works from 67 national and international artists, with a selection at both Constellation Studios and Lux Art Center galleries.   All the prints use relief-printing processes of woodcut, linoleum block, wood engraving, letterpress, and new technologies including laser cutting.

There is a distinctive graphic nature to prints made from carved surfaces as the energy of carving with gouges and burins is readily apparent. This action is transformed by pressure and ink onto paper which reveals light “opened up” from the solid surface. Artists are endlessly inventive with how the surface is changed, as well as with their innovations for printing from blocks, from essential black and white, to multiple layers of color and carving stages, to how the printing happens with presses or by hand.   Relief prints use available materials for protest and actions, exist on large scale for impact, capture impressions of wood growth, and show intimate carved details on the end-grain of wood.

This inaugural biennial of relief prints here in the center of America showcases artists from around the country and abroad, all selected from an open call for entries. The works on exhibition focus on the role of the relief print as a means of cultural critique and exploration, of this ancient process but newly invigorated discipline as it is practiced and defined by today’s artists.


The Slow Read

Ready, Get Set…Slow Read

Q: What is the opposite of a book club on steroids?

A: Reading Willa Cather’s novel ‘My Ántonia’ at the slow pace of six pages per day.

SlowReadWhat is the Slow Read?

The Slow Read is a public literary / art project conceived of and produced by Portland-based artist Barbara Tetenbaum. “After taking a workshop on video mapping, I had this vision of projecting the pages of a novel onto the wall of a building, so people would read together in public. The project has now grow to nearly a dozen public sites and can be accessed by anyone on their personal computers. This means that everyone in America and beyond can essentially read as a community,” says Tetenbaum. “This year is the centenary of a book I’ve been working with for some time, ‘My Ántonia’ by Willa Cather. It made perfect sense to use this particular novel for the Slow Read and a chance to find a deeper connection to her words and the issues Cather was illuminating which are still relevant today. Some readers will stumble upon this novel for the first time, others will be rereading it again, discovering something new in her story. I want to offer a piece of culture in the form of shared daily ritual, to be experienced slowly over time, providing a counterweight to the spectacle-based world we live in.”

During this centenary year of My Ántonia’s publication, readers around the country and the globe can follow along on their cell phones, laptops — or at a public site location – and read closer and deeper than before. From May 30 through August 11th, images of the first edition page spreads will be looped on a dedicated website (www.slowread.org) and offer the first-time reader, or long-time fan, this unusual, slow unfolding of the novel.

Why?

“Cather shows us what it was like to live on the 1890’s Nebraska prairie, a life that was tough and beautiful at the same time.” says Tetenbaum, “Cather herself grew up in Red Cloud around immigrants from Central Europe and Russia. ‘My Ántonia’ reads as a chronicle to their humanity and struggles during the formative years of the American Plains. The immigrant experience is particularly relevant in our current political climate, and perhaps there is a way to find a meaningful dialog through Cather’s story.”

Where?

Public venues such as libraries and museums are hosting the Slow Read, usually through a publicly-accessible video monitor. {At Constellation Studios, 2055 ‘O’ Street, the monitor faces the street and is best viewed in the evening, and runs 24 hours with new page selection added each morning} Individuals who don’t have access to these sites can read along on their own internet-connected devices by going to www.slowread.org and clicking the “Today’s Reading” button.

Barb Tetenbaum will be taking the project on the road in early June to show at outdoor sites. Go to the website blog to find the next screening: https://theslowread.squarespace.com/news/

constellation slow read_sm

When?

The broadcast begins on May 30th and ends on August 11, 2018. If you miss a day, the website has an archive of previously shown pages.

Want to participate?

The Slow Read web-stream is free and available at www.theslowread.org

What else is there?

The Slow Read website links to activities, discussions, exhibitions and lectures organized by Cather institutions and scholars. It also contains a visual concordance of images from eight years of personal artist projects connected to this novel. Explore the website for all this.

Where can I find the public Slow Read venues?

Currently, these sites are hosting the Slow Read:

Willa Cather Foundation in Red Cloud, NE     willacather.org

Love Library at Univ. of NE-Lincoln   https://libraries.unl.edu

Constellation Studios, Lincoln, NE   https://constellation-studios.net

Jaffrey Public Library, Jaffrey, NH   www.jaffreypubliclibrary.org

Oregon College of Art and Craft, Portland, OR   ocac.edu

Portland Institute for Contemporary Art, Portland, OR   pica.org

Pacific Northwest College of Art Library, Portland, OR pnca.edu

Working Library, Portland, OR c3initiative.org/working-library.htm

Union College in Lincoln, NE

Check www.slowread.org/abouttheproject to explore additional locations as they are added and to track The Slow Read mobile pop-up on the road.

About the artist/director of The Slow Read:

Barbara Tetenbaum is a visual artist interested in the act of reading. She uses the mediums of books, prints, installation, and animation to explore this subject matter. She founded her artist book imprint, Triangular Press, in 1979. Barb is the recipient of two Fulbright Fellowships, career and project awards from the Oregon Arts Commission, Ford Family Foundation, Oregon Community Foundation and the Regional Arts and Culture Council. She is currently Professor and Head of the Book + Print at the Oregon College of Art and Craft. She holds a B.S. (Fine Art) from the University of Wisconsin-Madison and an MFA from the School of the Art Institute of Chicago.


Community Conversation: Collaboration

Join us for low-key conversation and sharing on the theme of Collaboration.   Nick Hernandez (KZUM Radio) leads our conversation and invites key discussants to spark inspiration and directions towards his ongoing quest on issues of Happiness and Well-being for our community enrichment.


Semographics III Monoprinting Collaboration

April 6 – May 31, 2018

First Friday April 6 Opening Reception 6 – 8pm

Semographics III Monoprinting Collaboration, is an exhibition that presents the work of 12 printmakers who joined in a weeklong experiment to print together as a team, using silkscreen (the fine art terminology is “serigraphy”, hence Semographics)) and relief printmaking.   The collaboration event took place in March 2017 onsite at the Atlanta Printmakers Studio and the Savannah College of Art & Design – Atlanta, and was a featured event at the annual Southern Graphics Council International Conference. The resulting prints are a cross-disciplinary challenge – even a stylistic and technical mixed media “mash up” – with each unique print showing iterations, beautiful moments and graphic themes.

The group conducted a collaborative protocol involving a ‘Neutral Zone’, where all of the ‘in progress’ impressions were ‘up for grabs’ for anyone to embellish; and the ‘Safe Zone’, where any impressions deemed as ‘finished’ or aesthetically resolved were kept.   Allowing the process to develop, over 150 prints were made with layers from different artists, hand applications of color and drawing, and aesthetic touches and special printing effects. Each work represents collective solutions to enhance and “solve” imagery from what other artists had done. Ultimately, the print series is a critical examination of choices, each artist’s practice, of technical demands, and stamina.

Semographics III portfolio of 50 selected works is traveling for exhibitions nationally, including the presentation at Constellation Studios.   The project was organized by Professor Timothy High, University of Texas Austin, with co-chair Stephanie Hunder, Concordia University, St. Paul, MN.   The other participants are: Kathryn Maxwell, Arizona State University, Tempe; Sandra Fernandez, New Jersey; Brian Johnson, Texas State University, San Marco; David Newman, Brookhaven College, Dallas, ;  Karen Kunc, University of Nebraska-Lincoln; Lenore Thomas, University of Pittsburg PA; Amanda Knowles, North Seattle College, WA; Eric Avery, Pennsylvania; John Hitchcock, University of Wisconsin-Madison; Sofia Maria Paz, University of Texas Austin.

TeamSemo

Our Skyline Exhibition

October 28 – November 30

First Friday Reception, November 3, 6-8pm

Constellation Studios presents Our Skyline, a creative project and exhibition, of hand carved linoleum block prints by over 28 community artists and 20 UNL students.   The prints were created in respond to the historic linoleum block print by noted Nebraska art teacher Gladys Lux created in the 1930’s of the Lincoln skyline with the state capitol building under construction. This print is featured in the exhibition on loan from the Lux family. This creative project is an Official Event of the Nebraska Sesquicentennial, and celebrates 150 years of statehood.

Our Skyline participants were inspired with a myriad of art and design approaches: views of our state capitol, downtown, distant viewpoints of Lincoln, urban construction, iconic Nebraska landmarks, rural settings and structures, our open skies, nature silhouettes of trees, grasses, the prairie, and conceptual ideas. Participants took part in two printing sessions to carve and print with assistants to run blocks and paper through the presses during the sessions. For many this was their first time creating a print, with “printing magic” transforming their mark-making into a striking graphic statement.

48 Artists:

Nora Abdel Monem, Christie Asuoha, Joel Anderson, Anissa Bensen, Abby Birkel, Jeri Brainard , Kristin Brooks, Anne Burton, Keith Buswell, Austin Carstens, Dana Clements , Haley Collins, Sally Cox, Erin Cross, Samantha Evans, Lynette Fast, David Fowler, Amy Groff, Abigail Groth, Justin Groth, Amanda Guenther, Mary Guenther, Emily Heater, Madeline Hinrichs, Michele Hrbek, Kristina Insingo, Brynna James, Carolyn Johnson, Megan Kemptar, Hannah Klemme, Karen Kunc, Rise Lange, Yoojeong Lee, Mariah Livingston, Lisa Mills, Brookely Nitsch, Gail Ogden, Lindsey Pinkerton, Diane Reece, Emily Reiman, Jessica Reiter, Jackie Rogers, Rachel Saniuk, Yria Santos-Torres, Kate Speicher, Kristin Vorderstrasse, Emma Ward Jamaica Wilson

Lux_Capitol_Print  Print by Gladys Lux, 1936

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