“an accounting”

Artist in Residence Elizabeth Katt will be working at Constellation Studios this summer to continue her performance/action, “an accounting” begun in 2020.  By hand, she meticulously documents each death due to coronavirus in the United States – one tally for each life lost, according to data from Worldometer and Columbia University. The piece’s significance is apparent as heaps of adding machine tape attest to COVID-19’s toll.   Since starting the piece Katt’s silent labor has used 43 rolls of tape and will be continuing as she aims to document losses to date. Katt says out loud the number of lives lost to COVID-19 per day. It is her way of coming to terms with the inconceivable losses the US has suffered – breaking down the number 615,679 into small, manageable chunks. It drives home the fact that these losses were incremental and cumulative, each day filled with preventable death.

Katt will be at the studio 1-5 each Tuesday and Thursday, June 22 – end of July.   She will be working during First Friday July 2, 6-8pm.

Katt is a current MFA graduate student at the University of Maryland College Park, and she received her BFA from the UNL School of Art, Art History & Design in 2016.


“an accounting”

Artist in Residence Elizabeth Katt will be working at Constellation Studios this summer to continue her performance/action, “an accounting” begun in 2020.  By hand, she meticulously documents each death due to coronavirus in the United States – one tally for each life lost, according to data from Worldometer and Columbia University. The piece’s significance is apparent as heaps of adding machine tape attest to COVID-19’s toll.   Since starting the piece Katt’s silent labor has used 43 rolls of tape and will be continuing as she aims to document losses to date. Katt says out loud the number of lives lost to COVID-19 per day. It is her way of coming to terms with the inconceivable losses the US has suffered – breaking down the number 615,679 into small, manageable chunks. It drives home the fact that these losses were incremental and cumulative, each day filled with preventable death.

Katt will be at the studio 1-5 each Tuesday and Thursday, June 22 – end of July.   She will be working during First Friday July 2, 6-8pm.

Katt is a current MFA graduate student at the University of Maryland College Park, and she received her BFA from the UNL School of Art, Art History & Design in 2016.


“an accounting”

Artist in Residence Elizabeth Katt will be working at Constellation Studios this summer to continue her performance/action, “an accounting” begun in 2020.  By hand, she meticulously documents each death due to coronavirus in the United States – one tally for each life lost, according to data from Worldometer and Columbia University. The piece’s significance is apparent as heaps of adding machine tape attest to COVID-19’s toll.   Since starting the piece Katt’s silent labor has used 43 rolls of tape and will be continuing as she aims to document losses to date. Katt says out loud the number of lives lost to COVID-19 per day. It is her way of coming to terms with the inconceivable losses the US has suffered – breaking down the number 615,679 into small, manageable chunks. It drives home the fact that these losses were incremental and cumulative, each day filled with preventable death.

Katt will be at the studio 1-5 each Tuesday and Thursday, June 22 – end of July.

Katt is a current MFA graduate student at the University of Maryland College Park, and she received her BFA from the UNL School of Art, Art History & Design in 2016.

 


“an accounting”

Artist in Residence Elizabeth Katt will be working at Constellation Studios this summer to continue her performance/action, “an accounting” begun in 2020.  By hand, she meticulously documents each death due to coronavirus in the United States – one tally for each life lost, according to data from Worldometer and Columbia University. The piece’s significance is apparent as heaps of adding machine tape attest to COVID-19’s toll.   Since starting the piece Katt’s silent labor has used 43 rolls of tape and will be continuing as she aims to document losses to date. Katt says out loud the number of lives lost to COVID-19 per day. It is her way of coming to terms with the inconceivable losses the US has suffered – breaking down the number 615,679 into small, manageable chunks. It drives home the fact that these losses were incremental and cumulative, each day filled with preventable death.

Katt will be at the studio 1-5 each Tuesday and Thursday, June 22 – end of July.   She will be working during First Friday July 2, 6-8pm.

Katt is a current MFA graduate student at the University of Maryland College Park, and she received her BFA from the UNL School of Art, Art History & Design in 2016.


Steamroller Printing Event – Nine Nebraska Artists Woodblocks

A steamroller printing event of the large woodblocks carved by the Nine Nebraska Artists will be held at the LUX Center for the Arts on August 15th, 2020 from 1-4pm. Other artists are invited to join with additional woodblocks for the steamroller printing demonstration.

#NineNebraskaArtists

This mural project is in conjunction with “Surface Impressions” – International Juried Print Exhibition.


Surface Impressions: International Print Show

June 5th – August 28th   2020

Juror: Mark Pascale
Janet and Craig Duchossois Curator of Prints and Drawings, The Art Institute of Chicago

co-organized by Constellation Studios and Lux Art Center

 

  • First Friday June 5,

visit by appointment 12noon – 8pm

Call 402-438-0049 or

email: karen@constellation-studios.net

  • June 11, 6-7pm Facebook Live from LUX Facebook – Curator Talk – Mark Pascale
  • June 13, 10 – 11am 2020 –Coffee with the Curators – Mark Pascale and Susan Soriente, Zoom
  • summer 2020 – events, workshops, steamroller printing all TBA

 

Surface Impressions intends to connect artists and audiences to the 21st century language of relief printmaking as a viable engagement for today.

The exhibition includes 75 works from 67 national and international artists, with a selection at both Constellation Studios and Lux Art Center galleries.   All the prints use relief-printing processes of woodcut, linoleum block, wood engraving, letterpress, and new technologies including laser cutting.

There is a distinctive graphic nature to prints made from carved surfaces as the energy of carving with gouges and burins is readily apparent. This action is transformed by pressure and ink onto paper which reveals light “opened up” from the solid surface. Artists are endlessly inventive with how the surface is changed, as well as with their innovations for printing from blocks, from essential black and white, to multiple layers of color and carving stages, to how the printing happens with presses or by hand.   Relief prints use available materials for protest and actions, exist on large scale for impact, capture impressions of wood growth, and show intimate carved details on the end-grain of wood.

This inaugural biennial of relief prints here in the center of America showcases artists from around the country and abroad, all selected from an open call for entries. The works on exhibition focus on the role of the relief print as a means of cultural critique and exploration, of this ancient process but newly invigorated discipline as it is practiced and defined by today’s artists.


Kenny Walton – Hand Blown Glass

April 8 – 25, 2020

Memorial Event:  Saturday April 11, 5:00 – 6:00pm POSTPONED

Opportunities for Exhibition Viewing & Sales by appointment, contact:

karen@constellation-studios.net  or phone/text 402-429-8239

April 8-9-10-11, noon – 5

April 16-17-18, noon – 5

April 23-24-25, noon – 5

Artist Kenny Walton (1947-2019) was an integral part of the dream of Constellation Studios, as husband and helpmate to owner/director Karen Kunc. He worked hard on their acreage near Avoca, Nebraska, building his studio, working intensely to blow glass, landscaping the gardens and arbors of fruit trees, and cooking exotic meals.

Kenny studied at Ohio State University, and Columbus College of Art & Design. Through 1990 to 2007, Kenny exhibited his hand-blown glass at juried arts and craft fairs around the country and region, winning many awards. His work was included in New Glass Review at the Corning Museum of Glass in 1995. He had solo exhibitions of his glass in Nagoya, Japan, Ohio Craft Museum, and the Haydon Art Center in Lincoln. He received two Nebraska Arts Council Individual Artist Fellowships in 1994 & 1995, and a Mid-America Arts Alliance/National Endowment for the Arts Fellowship in 1995. He lectured on his glass in Finland, Poland, Hawaii and throughout the Midwest.

“He is very aware of living things and living cycles – the undercurrent of his work. He is steadily and quietly entranced by nature, its intricacies and fullness, and his work exudes this….. He has the ability (and innate desire) to successfully have his head, his eye, and his heart work together and then flow outwards from his hand to work and tool glass until it reflects, in its abstracted form, the beauty of life, essentially.”

Teliza V. Rodriguez, Curator, Museum of Nebraska Art. 2007

It is with immense pride that we show his amazing hand blown glass as a legacy of beauty, craftsmanship, and inspiration.  This exhibition honors his indomitable spirit, humor, intellect, energy and skills with “field expediency” (fixes with duct tape & wire!).   His glass art brings solace for us all.

Lincoln Journal Star Kenny Walton

 

 


Paper Pulp & Beyond

In conjunction with the city-wide FiberFest,

Constellation Studios presents:

Paper Pulp & Beyond

 

January 24 – February 28, 2020

Special Reception Thursday, January 23, 7-8pm

Papermaking demos – First Friday Feb 7, 6-8pm

 

Artists:

Kathy Cartier, Lincoln, NE

Melissa Harshman, Athens, Georgia

Nancy Mintz, Berkeley, CA

Bridget O’Malley, Minneapolis, MN

Amy Sands, Minneapolis, MN

Considering the special properties of humble paper fibers, artists explore cotton, abaca (banana leaf), flax, kozo and gampi (inner bark fibers) creating works beyond typical handmade sheets.     This exhibition celebrates the many qualities of various fibers – translucency, fluidity, lightweight, strength, malleability, as these natural materials transform into delicate veils, fantastic dimensional structures, pulp drawings and layered constructions. Through the processes of hydration, beating, forming, and drying these fibers create unusual effects and interactions.


Panel Discussion: “Getting into Print: Printers and Authors Talk”

Nebraska Literary Heritage Association hosts an Author Adventures event with Bonnie O’Connell, Professor Emerita, UNO School of Art, book artist and printmaker, with poet Grace Bauer, Aaron Douglas Professor UNL Department of English, and poet Mary Hickman, Professor of English at Nebraska Wesleyan University.

Following hors d’oeuvres from 6:30 -7:00pm, O’Connell, Bauer, and Hickman will participate in a panel discussion from 7:00 – 7:40.   This conversation will focus on the “how” of getting into print, publishing issues, the small press/self-publishing route as an alternative for writers, and the tradition of book culture.  A Q & A session will be part of the event.


Open Studio for Lincoln Bike Art Tour (LBAT)

This year LBAT will be taking place in the South Salt Creek Neighborhood, Everett Neighborhood, Near South Neighborhood, downtown, the Haymarket and UNL city campus. LBAT is a day long celebration encouraging folks to hop on their bikes (or drive, we won’t judge) to experience the working studios in the area.   Constellations Studios will be open!   See the exhibition and printing activities.