inBEtween

Curated by Tara Sabharwal, NYC

Artists from Germany, India, USA

October 2 – November 20, 2020

First Friday Reception October 2, 6-8pm

Observing distancing & masks required

The present moment is all we ever know.  It is the vital space in between what we have been and where we could be heading.  It is always right there, our opportunity for change.   inBEtween draws attention to our inherently open sense of self, honoring the process of self-examination and transformation.

 – Tara Sabharwal, curator.   In collaboration with David Gann.

This exhibition examines questions around inter-sectionality, displacement and otherness, through the work of artists from Germany, US and India, along with local guest artists.   Curated by NYC based artist Tara Sabharwal, the show is part of an international travelling project with an emphasis on involving community and generating dialog.

In inhabiting different spaces, one encounters conflicting points of view, which work within the political/social/racial group but become suddenly inflammatory outside it.   Often, we are not even aware of this, as we are, after all, an intrinsic part of cultural traditions and languages that have hierarchies, prejudices and privileges built into them.   This show aims to foster dialog by experiencing diverse points of view and sharing our own.

The need for listening to each other is urgent.  Artists live within communities as natural outsiders, forming their own borderless intersections.   Could artists present a fresh approach, through their art, where reason and verbal structures fail?

Artists in the show

From Germany: nomadic sculptor Roger Rigorth’s installation of thin, fragile oars, Barbara Beisinhoff’s artist books on the poetry of Jewish poet and holocaust victim Gertrude Kolmar, and Sabine Stange’s photographs on perceptual transience.

From America: Tana Kellner’s monoprints on the US Bill of Rights and immigration, Cheryl Goldsleger’s prints of migration maps, Miguel Rivera’s overlapped drawings derived from his Mexican American roots, Leslie Jean Bart’s photographs of Haitian American identity discord through photos of people in water, Karen Kunc’s woodcuts on rural urban migration, Larry Millard’s batons referencing entry permits, and Kristin Casaletto’s prints of community existence.

From India: Ayisa Abraham’s film of the life of a Nepali migrant living in Bangalore, Veer Munshi’s installation on his return to his exiled home in Kashmir, and Tara Sabharwal’s collaged silkscreen prints of refugees on boats encountering the ‘other’.

Local guest artists: Jamie Ho’s photo documentary of her Chinese family history at the threshold of erasure, Francisco Souto’s metaphoric drawings of social collapse in Venezuela, Nancy Friedemann-Sánchez’s folkloric print of colonial artifacts from Columbia, and Oria Simonini’s watercolors of migrant experience from her Guatemalan roots.


Nine Nebraskans Public Art Installation

Nine artists from the region were invited to design and carve their own large woodblock for printing impressions at Constellation Studios, which took place in May with one-by-one printing sessions at the studio.   The 9 large 24” x 36” black and white prints will make a composite Artwork that will be wheat-pasted around Lincoln.    The presentation will be 108” tall x 72” wide. Sites include: Lux Art Center, Constellation Studios, The Hub Cafe, The Mill Haymarket, Bennett Martin Library, Bethany Library, Woods Park Bath House, Joyo Theater, Goldenrod Pastries. #NineNebraskaArtists

Artists include:

Byron Anway, Lincoln

Ryan Crotty, Auburn

Nancy Friedemann- -Sánchez, Lincoln   

Gerardo Meza, Lincoln 

Nathan Murray, Lincoln   

Kyle Nobles, Lincoln

Sarah Rowe, Omaha

Bart Vargas, Omaha  

Kat Wiese, Lincoln 

The Artwork is a temporary installation, with the paper prints attached with wheat starch (wallpaper) paste to the wall surface. The installation will be affected by weather and moisture, lasting for approximately 2 months, and will be allowed to change, as part of the ephemeral nature of the materials, the climate conditions, and time.

Nine different sites are planned, and will present engagement for different viewing audiences and experiences, plus create a recurrent connection throughout the city.

These woodblock prints are unusually striking for the strong contrast of dark and light, the captured energy of the carving marks, and the variety of images and symbols that convey timely messages and layers of meaning.

A culminating event will be steamroller printing of these blocks for the Lux Art Center Festival in August.   Other artists are invited to join with additional carved woodblocks for the steamroller printing activity.   Watch for more info.

This community-wide print event is a facet of this summer’s collaborative exhibition Surface Impressions:  International Print Exhibition, and highlights the relief printing process.    The exhibition is held jointly at Constellation Studios and Lux Art Center.  

https://www.surfaceimpressions.art/

   


Surface Impressions: International Print Show

June 5th – August 28th   2020

Juror:  Mark Pascale
Janet and Craig Duchossois Curator of Prints and Drawings, The Art Institute of Chicago

co-organized by Constellation Studios and Lux Art Center

• First Friday August 7, 5 – 8pm

• Upcoming! Steamroller printing of Nine Nebraskans woodblocks, August 15, 1-4pm, Lux Art Center

Surface Impressions intends to connect artists and audiences to the 21st century language of relief printmaking as a viable engagement for today.

The exhibition includes 75 works from 67 national and international artists, with a selection at both Constellation Studios and Lux Art Center galleries.   All the prints use relief-printing processes of woodcut, linoleum block, wood engraving, letterpress, and new technologies including laser cutting.

There is a distinctive graphic nature to prints made from carved surfaces as the energy of carving with gouges and burins is readily apparent.  This action is transformed by pressure and ink onto paper which reveals light “opened up” from the solid surface.  Artists are endlessly inventive with how the surface is changed, as well as with their innovations for printing from blocks, from essential black and white, to multiple layers of color and carving stages, to how the printing happens with presses or by hand.   Relief prints use available materials for protest and actions, exist on large scale for impact, capture impressions of wood growth, and show intimate carved details on the end-grain of wood. 

This inaugural biennial of relief prints here in the center of America showcases artists from around the country and abroad, all selected from an open call for entries.  The works on exhibition focus on the role of the relief print as a means of cultural critique and exploration, of this ancient process but newly invigorated discipline as it is practiced and defined by today’s artists.

https://www.surfaceimpressions.art/exhibition


Josh Winkler: The Big Trees

March 6 – 28, 2020

First Friday Reception March 6, 6:00-8:00pm

Using prints and adventure, Josh Winkler sparks content and connections that address environmental and cultural tragedies of the past and to engage the high stakes of the present.   This exhibition features a remnant of the great redwood trees of Calaveras county created with “endurance-level” hand printing on site.  Winkler has hiked the Chilkoot Trail, infamous during the Klondike Gold Rush at the turn of the century, and was an artist-in-resident in Dawson City in the Yukon, influencing panoramic print series of forest fires, highway travel, and reflections on the “collective path”.  Winkler is Assistant Professor of printmaking at Minnesota State University Mankato.   He received his MFA from the University of Minnesota, and BFA from Ball State University.  



Paper Pulp & Beyond

January 24 – February 28, 2020

Special Reception Thursday, January 23, 7-8pm

Papermaking demos – First Friday Feb 7, 6-8pm

Artists:

Kathy Cartier, Lincoln, NE

Melissa Harshman, Athens, Georgia

Nancy Mintz, Berkeley, CA

Bridget O’Malley, Minneapolis. MN

Amy Sands, Minneapolis. MN

Considering the special properties of humble paper fibers, artists explore cotton, abaca (banana leaf), flax, kozo and gampi (inner bark fibers) creating works beyond typical handmade sheets.     This exhibition celebrates the many qualities of various fibers – translucency, fluidity, lightweight, strength, malleability, as these natural materials transform into delicate veils, fantastic dimensional structures, pulp drawings and layered constructions.  Through the processes of hydration, beating, forming, and drying these fibers create unusual effects and interactions.


Light Prints: Cyanotypes by Erin Cross, Matel Rokke, Toan Vuong

October 4 – November 9, 2019

First Friday Reception October 4, 6-8pm

Closing Gallery Event Tuesday November 5,  7-8pm

Light Prints explores the natural intersection of prints and photography as a means to record “outside” information onto paper.   Light-sensitive coatings onto paper are exposed with objects or transparencies blocking ultraviolet light leaving a silhouette image that seems to “capture” the moment and the ghost of the object.   These artists have used this historic process to record collected objects, the shift of time, and the nostalgia of memorabilia.    Cyanotypes are known for the rich Prussian blue of the iron-based inorganic colorant, the first synthetic pigment, and used for blueprints, and in Japanese woodblock prints, suggesting mystery and transience.

Erin Cross is Professor of Art at Doane University in Crete, Nebraska.   She received her MFA in Visual Studies from Norfolk State University and her BFA from Old Dominion University.    She focuses on the visual intrigue of shape and the memory of its movements in mixed media compositions incorporating found objects as a narrative agent, gathered in the Canadian Maritime while in residence.

Toan Vuong is an adjunct lecturer at UNL and Nebraska Wesleyan University.   He earned his MFA from Tyler School of Art Temple University, studying in Rome and Philadelphia.    He received his BFA in Studio Art and a BA in French Modern Language from UNL.   His works are an accumulation of parts, marks, particles and repetitions, until an image emerges.  In this way a record is held, through incremental interventions, as a way to make sense of the world.

Matel Rokke is co-owner of Tsuru Boutique in Lincoln.   She earned her MFA in Photography from Harford Art School, and her BFA at UNL.   She has also taught at Metro Community College Omaha, Southeast Community College Lincoln, Dana College, Lux Art Center and UNL.  Personal experiences and items from generations past have recurring roles in her art, and pose questions about identity, importance, desire, and worthiness of a memory.


Marking the Distance: A Retrospective of Books, Prints, and Assemblages by Bonnie O’Connell

August 2 – September 25, 2019

An exhibition on the life and works of veteran artist and teacher Bonnie O’Connell, professor emeritus of University of Nebraska Omaha School of the Arts will be presented at Constellation Studios, Lincoln, Nebraska.   Curated by Karen Kunc, the retrospective will take viewers through her artistic journey spanning over forty years.

O’Connell produces work in the media of book arts, letterpress and relief printmaking, collage and assemblage, that address the material culture of prints and books, often deconstructing and celebrating printed ephemera, the book as object, and the charged images of the past and present.

She taught courses in book arts (letterpress printing, typography, book design, bookbinding, and papermaking), alternative media and color theory. She has directed and produced fine press limited editions of contemporary poetry for Abattoir Editions, the literary imprint of the Fine Arts Press at UNO. She also maintains The Penumbra Press, her own private press established in Lisbon, Iowa, with a 40-year history in literary fine printing.

O’Connell is a celebrated book artist, known for her teaching, wit, and vast knowledge of the fine press book field.  Her mentors include: Walter Hamady who introduced her to letterpress through his Perishable Press Ltd. and his legendary teaching at the University of Wisconsin Madison; Kim Merker who founded the Windhover Press at the University of Iowa; and printer-publisher Harry Duncan of the Cummington Press and Abattoir Editions at UNO.     She has collaborated with noted writers, poets and artists, including Poet Laureates Rita Dove and Ted Kooser, Norman Dubie, Tess Galleger, Lynn Emanuel, Brenda Hillman, and David St. John, Louise LaFond and Karen Kunc. 


In the Details: Woodcut Print Invitational exhibition

June 7 – July 27, 2019

Artists:  

Alexa Goetzinger, Oklahoma City, OK

Liz Menard, Toronto, Canada

Barbara Putnam, Deer Island, ME

Kasey Ramierz, Fayetteville, AR

Mark Sisson, Stillwater, OK

Laura Smith, Honolulu, HI

These invited artists are attracted to the woodcut process for the extensive carving effort and handwork that goes into the wood itself, that affects the quality of detail in their printed impressions.   These artists share skills that are expressive or methodical, intimate, illusionary, layered, for the characteristic graphic impact that we love in the woodcut print.

Barbara Putnam carves shina wood, from drawings made onsite at dumps and recycling centers….mounds of metal, plastics, throw-aways including toys
Liz Menard’s migration of printed monarchs across vignetts of distant landscapes
Mark Sisson’s magical portraits, with color woodcut layers, and the key layer from lithography for tone and details
Large prints by Alexa Goetzinger, with variations of inking enlivening the massive orchid
Kasey Ramirez creates wood-grain atmosphere around haunting ruins or constructions
Laura Smith plays with her carved blocks to create printed variations of iconic dress silhouettes



In the Details: Woodcut Print Invitational

Alexa Goetzinger, Oklahoma City, OK

Liz Menard, Toronto, Canada

Barbara Putnam, Deer Island, ME

Kasey Ramierz, Fayetteville, AR

Mark Sisson, Stillwater, OK

Laura Smith, Honolulu, HI

These invited artists are attracted to the woodcut process for the extensive carving effort and handwork that goes into the wood itself, that affects the quality of detail in their printed impressions.   These artists share skills that are expressive or methodical, intimate, illusionary, layered, for the characteristic graphic impact that we love in the woodcut print.


Worlds Apart: Comix+Fantasy in Prints

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April 4 – May 30, 2019.

First Friday April 5, 6-9pm

This invitational show presents the link between graphic cartooning, tattoo design, classic comics, manga, anime, detailed grotesque ornamentation and fantasy drawing styles that are sources for expression and distillation by contemporary print artists today.    This popular “low art world” crosses generations and genres, usually outside the fine art world, and artists respond with irony, visual puns, horror vacui compositions, and technical bravura.  This exhibition celebrates the spirit of imagination and skepticism, creative play, and topical messages.   Works in print media, book forms and drawing will be included.

Artists include:

Brett Colley, Michigan

DB Dowd, Missouri

Victoria Goro-Rapaport, Nebraska

Bob Hall, Nebraska

Liz Hermanson, Texas

Darren Houser, Minnesota

Trishelle Jeffery, Utah

Brian Johnson, Texas

Phoebe Little, Nebraska

Joe Lupo, West Virginia

Josh Norton, Minnesota

Sage Perrott, Tennessee

Jordan Scribner, Nebraska

Ryan Standfest, Michigan

 

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Field of Vision: Taryn McMahon solo printstallation

Feb 1 – March 30  

First Friday Feb 1, 5 – 8pm

Images of plants and architecture from botanical gardens investigate sites and histories, highlighting the complicated cultural construction of an idea of “nature”. The digital and hand drawn print processes explore how our interactions with the natural world are mediated through technology, and are thus fragmented and selective. Through her work, the forms are remixed through the filters of printmaking, drawing, digital photography, and collage. This installation includes prints and Hanging Gardens, a large-scale banner with pigment printing on thin Awagami Inbe paper that has been intricately cut, creating interplay between light and shadows within the environment of the gallery.

Taryn McMahon received her BFA from The Pennsylvania State University, University Park, PA, and an MA and MFA from the University of Iowa, Iowa City, IA. She has received numerous awards for her work including the Southern Graphics Council International Graduate Fellowship and residencies at Anderson Ranch Art Center, Anchor Graphics, Women’s Studio Workshop, and the Lawrence Arts Center. Her work has been featured in recent exhibitions at The Print Center, Philadelphia, PA and Carroll Gallery, Tulane University, New Orleans, LA, among others. She is an Assistant Professor of Studio Art at Kent State University.

 

 

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