Surface Impressions: International Print Show

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June 5th – August 28th   2020

Juror:  Mark Pascale
Janet and Craig Duchossois Curator of Prints and Drawings, The Art Institute of Chicago

co-organized by Constellation Studios and Lux Art Center

• First Friday June 5,

visit by appointment 12noon – 8pm

Call 402-438-0049  or

email:  karen@constellation-studios.net

• June 11, 6-7pm Facebook Live from LUX Facebook – Curator Talk – Mark Pascale

• June 13, 10 – 11am 2020 –Coffee with the Curators – Mark Pascale and Susan Soriente, Zoom

• summer 2020 – events, workshops, steamroller printing all TBA

Surface Impressions intends to connect artists and audiences to the 21st century language of relief printmaking as a viable engagement for today.

The exhibition includes 75 works from 67 national and international artists, with a selection at both Constellation Studios and Lux Art Center galleries.   All the prints use relief-printing processes of woodcut, linoleum block, wood engraving, letterpress, and new technologies including laser cutting.

There is a distinctive graphic nature to prints made from carved surfaces as the energy of carving with gouges and burins is readily apparent.  This action is transformed by pressure and ink onto paper which reveals light “opened up” from the solid surface.  Artists are endlessly inventive with how the surface is changed, as well as with their innovations for printing from blocks, from essential black and white, to multiple layers of color and carving stages, to how the printing happens with presses or by hand.   Relief prints use available materials for protest and actions, exist on large scale for impact, capture impressions of wood growth, and show intimate carved details on the end-grain of wood. 

This inaugural biennial of relief prints here in the center of America showcases artists from around the country and abroad, all selected from an open call for entries.  The works on exhibition focus on the role of the relief print as a means of cultural critique and exploration, of this ancient process but newly invigorated discipline as it is practiced and defined by today’s artists.

https://www.surfaceimpressions.art/exhibition

Josh Winkler: The Big Trees

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March 6 – 28, 2020

First Friday Reception March 6, 6:00-8:00pm

Using prints and adventure, Josh Winkler sparks content and connections that address environmental and cultural tragedies of the past and to engage the high stakes of the present.   This exhibition features a remnant of the great redwood trees of Calaveras county created with “endurance-level” hand printing on site.  Winkler has hiked the Chilkoot Trail, infamous during the Klondike Gold Rush at the turn of the century, and was an artist-in-resident in Dawson City in the Yukon, influencing panoramic print series of forest fires, highway travel, and reflections on the “collective path”.  Winkler is Assistant Professor of printmaking at Minnesota State University Mankato.   He received his MFA from the University of Minnesota, and BFA from Ball State University.  


Marking the Distance: A Retrospective of Books, Prints, and Assemblages by Bonnie O’Connell

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August 2 – September 25, 2019

An exhibition on the life and works of veteran artist and teacher Bonnie O’Connell, professor emeritus of University of Nebraska Omaha School of the Arts will be presented at Constellation Studios, Lincoln, Nebraska.   Curated by Karen Kunc, the retrospective will take viewers through her artistic journey spanning over forty years.

O’Connell produces work in the media of book arts, letterpress and relief printmaking, collage and assemblage, that address the material culture of prints and books, often deconstructing and celebrating printed ephemera, the book as object, and the charged images of the past and present.

She taught courses in book arts (letterpress printing, typography, book design, bookbinding, and papermaking), alternative media and color theory. She has directed and produced fine press limited editions of contemporary poetry for Abattoir Editions, the literary imprint of the Fine Arts Press at UNO. She also maintains The Penumbra Press, her own private press established in Lisbon, Iowa, with a 40-year history in literary fine printing.

O’Connell is a celebrated book artist, known for her teaching, wit, and vast knowledge of the fine press book field.  Her mentors include: Walter Hamady who introduced her to letterpress through his Perishable Press Ltd. and his legendary teaching at the University of Wisconsin Madison; Kim Merker who founded the Windhover Press at the University of Iowa; and printer-publisher Harry Duncan of the Cummington Press and Abattoir Editions at UNO.     She has collaborated with noted writers, poets and artists, including Poet Laureates Rita Dove and Ted Kooser, Norman Dubie, Tess Galleger, Lynn Emanuel, Brenda Hillman, and David St. John, Louise LaFond and Karen Kunc.