Color Woodcut Printmaking Workshop 2019

This intensive, exciting workshop will awaken the possibilities for the woodcut printing process for the beginning and advanced printmaker.   This approach is not technically tradition-bound…but inventive, with contemporary, creative methods, that can be spontaneous, simple and direct.   This expressive medium will be introduced and explored through demonstrations and discussions of cutting techniques, oil-base inks and water-base inks, modifiers, and printing by hand as well as using the press.   Participants will go from designing their images and cutting blocks, to printing several projects using a variety of methods and individual discoveries.  For all levels.

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First Friday Reception, June 7, In the Details: Woodcut Print Invitational

In the Details: Woodcut Print Invitational

June 7 – July 27, 2019

First Friday reception, June 7, 6-8pm

 

Artists:

Alexa Goetzinger, Oklahoma City, OK

Liz Menard, Toronto, Canada

Barbara Putnam, Deer Island, ME

Kasey Ramierz, Fayetteville, AR

Mark Sisson, Stillwater, OK

Laura Smith, Honolulu, HI

 

These invited artists are attracted to the woodcut process for the extensive carving effort and handwork that goes into the wood itself, that affects the quality of detail in their printed impressions.   These artists share skills that are expressive or methodical, intimate, illusionary, layered, for the characteristic graphic impact that we love in the woodcut print.


Worlds Apart: Comix+Fantasy in Prints

April 4 – May 30, 2019.

First Friday April 5, 6-9pm

 

This invitational show presents the link between graphic cartooning, tattoo design, classic comics, manga, anime, detailed grotesque ornamentation and fantasy drawing styles that are sources for expression and distillation by contemporary print artists today.    This popular “low art world” crosses generations and genres, usually outside the fine art world, and artists respond with irony, visual puns, horror vacui compositions, and technical bravura.  This exhibition celebrates the spirit of imagination and skepticism, creative play, and topical messages.   Works in print media, book forms and drawing will be included.

Artists include:

Brett Colley, Michigan

DB Dowd, Missouri

Victoria Goro-Rapaport, Nebraska

Bob Hall, Nebraska

Liz Hermanson, Texas

Darren Houser, Minnesota

Trishelle Jeffery, Utah

Brian Johnson, Texas

Phoebe Little, Nebraska

Joe Lupo, West Virginia

Josh Norton, Minnesota

Sage Perrott, Tennessee

Jordan Scribner, Nebraska

Ryan Standfest, Michigan


Worlds Apart: Comix+Fantasy in Prints

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April 4 – May 30, 2019.

First Friday April 5, 6-9pm

This invitational show presents the link between graphic cartooning, tattoo design, classic comics, manga, anime, detailed grotesque ornamentation and fantasy drawing styles that are sources for expression and distillation by contemporary print artists today.    This popular “low art world” crosses generations and genres, usually outside the fine art world, and artists respond with irony, visual puns, horror vacui compositions, and technical bravura.  This exhibition celebrates the spirit of imagination and skepticism, creative play, and topical messages.   Works in print media, book forms and drawing will be included.

Artists include:

Brett Colley, Michigan

DB Dowd, Missouri

Victoria Goro-Rapaport, Nebraska

Bob Hall, Nebraska

Liz Hermanson, Texas

Darren Houser, Minnesota

Trishelle Jeffery, Utah

Brian Johnson, Texas

Phoebe Little, Nebraska

Joe Lupo, West Virginia

Josh Norton, Minnesota

Sage Perrott, Tennessee

Jordan Scribner, Nebraska

Ryan Standfest, Michigan

 

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Field of Vision: Taryn McMahon solo printstallation

Feb 1 – March 30  

First Friday Feb 1, 5 – 8pm

Images of plants and architecture from botanical gardens investigate sites and histories, highlighting the complicated cultural construction of an idea of “nature”. The digital and hand drawn print processes explore how our interactions with the natural world are mediated through technology, and are thus fragmented and selective. Through her work, the forms are remixed through the filters of printmaking, drawing, digital photography, and collage. This installation includes prints and Hanging Gardens, a large-scale banner with pigment printing on thin Awagami Inbe paper that has been intricately cut, creating interplay between light and shadows within the environment of the gallery.

Taryn McMahon received her BFA from The Pennsylvania State University, University Park, PA, and an MA and MFA from the University of Iowa, Iowa City, IA. She has received numerous awards for her work including the Southern Graphics Council International Graduate Fellowship and residencies at Anderson Ranch Art Center, Anchor Graphics, Women’s Studio Workshop, and the Lawrence Arts Center. Her work has been featured in recent exhibitions at The Print Center, Philadelphia, PA and Carroll Gallery, Tulane University, New Orleans, LA, among others. She is an Assistant Professor of Studio Art at Kent State University.

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Field of Vision: Taryn McMahon solo printstallation

Feb 1 – March 30  

First Friday Feb 1, 5 – 8pm

Images of plants and architecture from botanical gardens investigate sites and histories, highlighting the complicated cultural construction of an idea of “nature”. The digital and hand drawn print processes explore how our interactions with the natural world are mediated through technology, and are thus fragmented and selective. Through her work, the forms are remixed through the filters of printmaking, drawing, digital photography, and collage. This installation includes prints and Hanging Gardens, a large-scale banner with pigment printing on thin Awagami Inbe paper that has been intricately cut, creating interplay between light and shadows within the environment of the gallery.

Taryn McMahon received her BFA from The Pennsylvania State University, University Park, PA, and an MA and MFA from the University of Iowa, Iowa City, IA. She has received numerous awards for her work including the Southern Graphics Council International Graduate Fellowship and residencies at Anderson Ranch Art Center, Anchor Graphics, Women’s Studio Workshop, and the Lawrence Arts Center. Her work has been featured in recent exhibitions at The Print Center, Philadelphia, PA and Carroll Gallery, Tulane University, New Orleans, LA, among others. She is an Assistant Professor of Studio Art at Kent State University.

 

 

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Studio Sale!

Find intriguing treasures – prints, artists books, boxes! Large to small selections of woodcuts, etchings, monoprints, mezzotints, handmade papers, framed, unframed.

Discounts!

In time for holiday gifting!

 

 


Letterpress for Card-making!

Thursday, December 13, 6:00pm – 9:00pm

$35

limited spaces – one session!

Play with the woodtype and printers cuts to make holiday cards and sentiments. Learn the basics of typesetting and lock-up and how to use the Vandercook and the new (old) Challenge presses for type-high explorations.


STELLAR Small Prints 2 – Invitational Exhibition

December 1, 2018 – January 26, 2019

First Friday December 7, 6-8pm

 

John Amoss, Georgia

Susan Belau, California
Marnix Everaert, Belgium

Andrew Kozlowski, Florida

Jillian Sokso, Oregon

Art Werger, Ohio

 

 

This exhibition presents the work of outstanding printmakers that use small printed forms for intimate visual engagement and graphic invention. The quality of their vision is expressed through an attentive nature and handwork. Additional small prints from the Constellation Studios collection will be on view.


STELLAR Small Prints 2 – Invitational Exhibition

December 1, 2018 – January 26, 2019

First Friday December 7, 6-8pm

• John Amoss

• Susan Belau
• Marnix Everaert

• Andrew Kozlowski

• Jillian Sokso

• Art Werger

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This exhibition presents the work of outstanding printmakers that use small printed forms for intimate visual engagement and graphic invention. The quality of their vision is expressed through an attentive nature and handwork. Additional small prints from the Constellation Studios collection will be on view.


Artists in Residence Kazuko and Kaoru

Two artists from Tokyo Japan have been in residence here during November.   Kazuko Araki and Kaoru Morita are sharing a great experience for concentration on their printmaking and enjoying cultural exchange.   This is their first visit to the USA, and they are seeing Nebraska go through  all the drama of fall to winter changes, while enjoying the open prairie landscape, football crowds, and studio activities of exhibitions and workshops.   We are enjoying our language efforts and translations about life and printmaking!   Special thanks to the Center for the Science of Human Endeavor in Tokyo for continuing to facilitating this exchange opportunity for Japanese artists!

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Kaoru is working in Mokuhanga (Japanese watercolor woodblock) with soft colors printed by hand, one each day for a color record of atmosphere and influences.  She specializes in shallow carving into the woodblock, so that beautiful nuances of tone are printed.   Her drawing is here of a still life from some of the handblown glass pieces of Kenny Walton, and her woodblock print from this image is just getting underway.

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Kazuko has created two editions of collagraph prints, from multiple cardboard plates, that have textures and drypoint scratches that hold the ink, printed in registration for a constructivist landscape for mountain goats.   She is inventive with her platemaking and the beautiful printed layers.   These two artist friends have studied printmaking together at the Musashino Art School in Tokyo.

 

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Etching & Drypoint Workshop

Saturday & Sunday, November 3 -4, 10:00am – 4:00pm

For all levels

$150 + materials

Learn this traditional intaglio technique where drawing marks and textures are etched below the surface, and the drypoint technique is directly scratched to build burrs on the surface. These techniques create beautiful details and line qualities.