Artist in Residence Elizabeth Katt will be working at Constellation Studios this summer to continue her performance/action, “an accounting” begun in 2020. By hand, she meticulously documents each death due to coronavirus in the United States – one tally for each life lost, according to data from Worldometer and Columbia University. The piece’s significance is apparent as heaps of adding machine tape attest to COVID-19’s toll. Since starting the piece Katt’s silent labor has used 43 rolls of tape and will be continuing as she aims to document losses to date. Katt says out loud the number of lives lost to COVID-19 per day as it is recorded by her tally marks. It is her way of coming to terms with the inconceivable losses the US has suffered – breaking down the number 615,679 into small, manageable chunks. It drives home the fact that these losses were incremental and cumulative, each day filled with preventable death.
Katt will be at the studio 1-5 each Tuesday and Thursday, June 22 – end of July.
Katt is a current MFA graduate student at the University of
Maryland College Park, and she received her BFA from the UNL School of Art, Art
History & Design in 2016.
Katt will be at the studio 1-5 each Tuesday and Thursday,
June 22 – end of July.
This October saw the completion of the mural repair and refresh with a new grand design! All is meant to integrate and compliment with colorful new imagery and themes. Check it out….impossible to miss this as an entry to downtown Lincoln!
Here are sequence shots of the new section, and the repairs done up high on the scaffold:
Nine artists from the region were invited to design and carve their own large woodblock for printing impressions at Constellation Studios, which took place in May with one-by-one printing sessions at the studio. The 9 large 24” x 36” black and white prints will make a composite Artwork that will be wheat-pasted around Lincoln. The presentation will be 108” tall x 72” wide. Sites include: Lux Art Center, Constellation Studios, The Hub Cafe, The Mill Haymarket, Bennett Martin Library, Bethany Library, Woods Park Bath House, Joyo Theater, Goldenrod Pastries. #NineNebraskaArtists
The Artwork is a temporary installation, with the
paper prints attached with wheat starch (wallpaper) paste to the wall surface.
The installation will be affected by weather and moisture, lasting for
approximately 2 months, and will be allowed to change, as part of the ephemeral
nature of the materials, the climate conditions, and time.
Nine different sites are planned, and will present
engagement for different viewing audiences and experiences, plus create a
recurrent connection throughout the city.
These woodblock prints are unusually striking
for the strong contrast of dark and light, the captured energy of the carving
marks, and the variety of images and symbols that convey timely messages and
layers of meaning.
A culminating event will be steamroller
printing of these blocks for the Lux Art Center Festival in August. Other artists are invited to join with
additional carved woodblocks for the steamroller printing activity. Watch for more info.
This community-wide print event is a facet of this summer’s collaborative exhibition Surface Impressions: International Print Exhibition, and highlights the relief printing process. The exhibition is held jointly at Constellation Studios and Lux Art Center.
Juror: Mark Pascale Janet and Craig Duchossois Curator of Prints and Drawings, The Art Institute of Chicago
Constellation Studios and Lux Art Center
• First Friday August 7, 5 – 8pm
• Upcoming! Steamroller printing of Nine Nebraskans woodblocks, August 15, 1-4pm, Lux Art Center
Surface Impressions intends to connect artists and audiences to
the 21st century language of relief printmaking as a viable engagement for
The exhibition includes 75 works from 67 national and
international artists, with a selection at both Constellation Studios and Lux
Art Center galleries. All the prints
use relief-printing processes of woodcut, linoleum block, wood engraving,
letterpress, and new technologies including laser cutting.
There is a distinctive graphic nature to prints made from
carved surfaces as the energy of carving with gouges and burins is readily
apparent. This action is transformed by
pressure and ink onto paper which reveals light “opened up” from the solid
surface. Artists are endlessly inventive
with how the surface is changed, as well as with their innovations for printing
from blocks, from essential black and white, to multiple layers of color and
carving stages, to how the printing happens with presses or by hand. Relief prints use available materials for
protest and actions, exist on large scale for impact, capture impressions of
wood growth, and show intimate carved details on the end-grain of wood.
This inaugural biennial of relief prints here in the center of America showcases artists from around the country and abroad, all selected from an open call for entries. The works on exhibition focus on the role of the relief print as a means of cultural critique and exploration, of this ancient process but newly invigorated discipline as it is practiced and defined by today’s artists.
Aleksander (Olek) was here through all of September 2019. Olek comes from Szczytno, Poland, and he is head of printmaking at the Institute of Fine Arts at the University of Warmia and Mazury in Olsztyn, Poland. While at Constellation Studios he was a guest at the University of Nebraska-Lincoln School of Art, Art History & Design, lecturing on his work, and teaching a mokuhanga workshop to students. He presented his work in a solo exhibition at Constellation Studios. While in residence he carved and printed two large woodblock prints, and created hundreds of sketches of the people and environs of Lincoln. His obsessive stream-of-conscious drawing practice prepares his memory and hand for the translation that happens with carving the block and capturing the spontaneous gesture.
Here are images of his process, and exhibition, and with students.
Taryn is a senior art student at University of Cincinnati, and had research funding for her residency in August. At Constellation Studios she created 8 etchings, made handmade paper for the title page, with a letterpress printed text, and put all together in a hand-bound book, all in 2 1/2 weeks of intense concentration. Great project! Here are a few highlights.
Two artists from Tokyo Japan have been in residence here during November. Kazuko Araki and Kaoru Morita are sharing a great experience for concentration on their printmaking and enjoying cultural exchange. This is their first visit to the USA, and they are seeing Nebraska go through all the drama of fall to winter changes, while enjoying the open prairie landscape, football crowds, and studio activities of exhibitions and workshops. We are enjoying our language efforts and translations about life and printmaking! Special thanks to the Center for the Science of Human Endeavor in Tokyo for continuing to facilitating this exchange opportunity for Japanese artists!
Kaoru is working in Mokuhanga (Japanese watercolor woodblock) with soft colors printed by hand, one each day for a color record of atmosphere and influences. She specializes in shallow carving into the woodblock, so that beautiful nuances of tone are printed. Her drawing is here of a still life from some of the handblown glass pieces of Kenny Walton, and her woodblock print from this image is just getting underway.
Kazuko has created two editions of collagraph prints, from multiple cardboard plates, that have textures and drypoint scratches that hold the ink, printed in registration for a constructivist landscape for mountain goats. She is inventive with her platemaking and the beautiful printed layers. These two artist friends have studied printmaking together at the Musashino Art School in Tokyo.
Barbara Tetenbaum is a visual artist interested in the act of reading. She uses the mediums of books, prints, installation, and animation to explore this subject matter. She founded her artist book imprint, Triangular Press, in 1979. Barb is the recipient of two Fulbright Fellowships, career and project awards from the Oregon Arts Commission, Ford Family Foundation, Oregon Community Foundation and the Regional Arts and Culture Council. She is currently Professor and Head of the Book + Print at the Oregon College of Art and Craft. She holds a B.S. (Fine Art) from the University of Wisconsin-Madison and an MFA from the School of the Art Institute of Chicago.
Constellation Studios presents Our Skyline, a creative project and exhibition, of hand carved linoleum block prints by over 28 community artists and 20 UNL students. The prints were created in respond to the historic linoleum block print by noted Nebraska art teacher Gladys Lux created in the 1930’s of the Lincoln skyline with the state capitol building under construction. This print is featured in the exhibition on loan from the Lux family. This creative project is an Official Event of the Nebraska Sesquicentennial, and celebrates 150 years of statehood.
Our Skyline participants were inspired with a myriad of art and design approaches: views of our state capitol, downtown, distant viewpoints of Lincoln, urban construction, iconic Nebraska landmarks, rural settings and structures, our open skies, nature silhouettes of trees, grasses, the prairie, and conceptual ideas. Participants took part in two printing sessions to carve and print with assistants to run blocks and paper through the presses during the sessions. For many this was their first time creating a print, with “printing magic” transforming their mark-making into a striking graphic statement.
Nora Abdel Monem, Christie Asuoha, Joel Anderson, Anissa Bensen, Abby Birkel, Jeri Brainard , Kristin Brooks, Anne Burton, Keith Buswell, Austin Carstens, Dana Clements , Haley Collins, Sally Cox, Erin Cross, Samantha Evans, Lynette Fast, David Fowler, Amy Groff, Abigail Groth, Justin Groth, Amanda Guenther, Mary Guenther, Emily Heater, Madeline Hinrichs, Michele Hrbek, Kristina Insingo, Brynna James, Carolyn Johnson, Megan Kemptar, Hannah Klemme, Karen Kunc, Rise Lange, Yoojeong Lee, Mariah Livingston, Lisa Mills, Brookely Nitsch, Gail Ogden, Lindsey Pinkerton, Diane Reece, Emily Reiman, Jessica Reiter, Jackie Rogers, Rachel Saniuk, Yria Santos-Torres, Kate Speicher, Kristin Vorderstrasse, Emma Ward Jamaica Wilson
Great engagement with visiting artist Sukha Worob in September and the resulting exhibition and stamping activity. Here are some action photos of the collaborative stamping project and his installation of prints. Thanks for the DIY knowledge and collaborative spirit!
Migrations is a huge gallery installation printed by handcast rubber stamps and ink of iconic images created by UNL students, inspired by Visiting Artist Suhka Worob. The possibility to carve and cast one’s own rubber stamps enables unique icons for repeat printing and layers to accumulate and evolve. The students did the stamping and printing on the large gallery wall, creating patterning and concepts of mass migrations – of birds, insects, herds, people, and the conveyances that transport the many individuals that make up the whole.
Worob will present his own print works on paper in a concurrent exhibition. He has developed this innovative casting process and DIY attitude to create with stamping and rollers for large scale printing impact of a myriad of symbols and signs.
Artist Statement: “My work is created using hand-cast rubber rollers covered in raised dots. The rollers are inked up using cyan, yellow, magenta and black. The dots and colors reference the building blocks of printed ephemera. During printing, patterns and images begin to emerge out of the random color relationships and dot placements. The resulting color relationships and images ask the viewer and participating creator to examine their interest in seeking deeper meaning and context for what is, at its core, just random chance.”