Artist in Residence Aya Nakamura has been in the studio throughout November, working on a huge painting/drawing on canvas, and enjoyed have the wall and space! Aya is from Tokyo, Japan, and enjoyed the quiet pace and light in Nebraska. She also worked on woodcuts combined with painting, and dived into learning about oil-base ink for woodcut methods (the image below is of her woodcut in the drying rack, so an unusual perspective here). Her works in animation are featured in the programing on Thursdays and Fridays at the CUBE Art Project of Lincoln, in the Haymarket Railyard. This is our giant outdoor digital projection site, and the art series are by artists from all over the world. https://www.cubelincoln.com/
So great to have Aya here, and thank you for joining the Constellation Studios community.
View a spectrum of etching techniques and mixed media prints by Karen Kunc. Deeply bitten aquatints from her grad school thesis, compare to embossed color line etchings and woodcuts on waxed papers, and to recent mezzotints and small etchings. All such intaglio techniques capture textures and information “below the surface” of the plate, where the ink is trapped when the plate surface is wiped, and then ink is transferred to paper under pressure through the press. Each work fits into Kunc’s overarching interest to how lines and gestures are translated and transformed through various printed qualities. Here her innovative approaches combine her experience with all print media, her development of personalized vocabulary of color, and challenge scale and detail.
Picture here are (top)Blue Gem, etching & woodcut on waxed paper, 2003;
(lower) Treatyse, artist book of etching, polymer relief, letterpress on handmade watermarked paper, 2017.
Constellation Studios presents Our Skyline, a creative project and exhibition, of hand carved linoleum block prints by over 28 community artists and 20 UNL students. The prints were created in respond to the historic linoleum block print by noted Nebraska art teacher Gladys Lux created in the 1930’s of the Lincoln skyline with the state capitol building under construction. This print is featured in the exhibition on loan from the Lux family. This creative project is an Official Event of the Nebraska Sesquicentennial, and celebrates 150 years of statehood.
Our Skyline participants were inspired with a myriad of art and design approaches: views of our state capitol, downtown, distant viewpoints of Lincoln, urban construction, iconic Nebraska landmarks, rural settings and structures, our open skies, nature silhouettes of trees, grasses, the prairie, and conceptual ideas. Participants took part in two printing sessions to carve and print with assistants to run blocks and paper through the presses during the sessions. For many this was their first time creating a print, with “printing magic” transforming their mark-making into a striking graphic statement.
Nora Abdel Monem, Christie Asuoha, Joel Anderson, Anissa Bensen, Abby Birkel, Jeri Brainard , Kristin Brooks, Anne Burton, Keith Buswell, Austin Carstens, Dana Clements , Haley Collins, Sally Cox, Erin Cross, Samantha Evans, Lynette Fast, David Fowler, Amy Groff, Abigail Groth, Justin Groth, Amanda Guenther, Mary Guenther, Emily Heater, Madeline Hinrichs, Michele Hrbek, Kristina Insingo, Brynna James, Carolyn Johnson, Megan Kemptar, Hannah Klemme, Karen Kunc, Rise Lange, Yoojeong Lee, Mariah Livingston, Lisa Mills, Brookely Nitsch, Gail Ogden, Lindsey Pinkerton, Diane Reece, Emily Reiman, Jessica Reiter, Jackie Rogers, Rachel Saniuk, Yria Santos-Torres, Kate Speicher, Kristin Vorderstrasse, Emma Ward Jamaica Wilson
Great engagement with visiting artist Sukha Worob in September and the resulting exhibition and stamping activity. Here are some action photos of the collaborative stamping project and his installation of prints. Thanks for the DIY knowledge and collaborative spirit!
Migrations is a huge gallery installation printed by handcast rubber stamps and ink of iconic images created by UNL students, inspired by Visiting Artist Suhka Worob. The possibility to carve and cast one’s own rubber stamps enables unique icons for repeat printing and layers to accumulate and evolve. The students did the stamping and printing on the large gallery wall, creating patterning and concepts of mass migrations – of birds, insects, herds, people, and the conveyances that transport the many individuals that make up the whole.
Worob will present his own print works on paper in a concurrent exhibition. He has developed this innovative casting process and DIY attitude to create with stamping and rollers for large scale printing impact of a myriad of symbols and signs.
Artist Statement: “My work is created using hand-cast rubber rollers covered in raised dots. The rollers are inked up using cyan, yellow, magenta and black. The dots and colors reference the building blocks of printed ephemera. During printing, patterns and images begin to emerge out of the random color relationships and dot placements. The resulting color relationships and images ask the viewer and participating creator to examine their interest in seeking deeper meaning and context for what is, at its core, just random chance.”
Reef is a multi-layered print installation in which printed patterns from woodblocks merge in radiant atmospheres of color. Printed onto translucent Japanese papers, the images seem to accumulate like colonies of microscopic corals, schools of floating plankton, and reference the largest single structure built by living organisms on earth, the endangered Great Barrier Reef.
Also on view are new artist books and prints by Karen Kunc.
Thank you everyone for joining in with such good spirit of work, sharing, intensity and experimentation. It was fun and challenging to steer the energy and questions…..a great learning experience for all! Here are some of the works and students!
Marnix & Veronique came from Ghent, Belgium for a two week residency at Constellation Studios. Marnix developed his copperplate etchings with non-toxic BIG ground and acrylic aquatint for a new print series that suggests science-like instructions and images. While Veronique developed her own cut paper image sources from design magazines to create meticulous and humorous collages. They enjoyed summertime and fireworks in Lincoln, and their time for a creative retreat. So great to have you here and look for your return soon so we can continue our conversations!
Waves of Richesis a beautiful installation that includes prints, and books, and the installation of a large, layered paper multi-print work. Here are some photos to capture the sense of the installation, thanks to photographer Ann Sherman. On view May 18 – July 15, 2017.
Sarah Turner, an artist from Detroit, was in residence at Constellation Studios for two weeks in April. She worked on a series of prints made from inked objects and found materials, transferring detailed impressions, that literally spoke about form and function, of everyday detritus, and elegant simplicity. She delighted in her discoveries from the hardware and thrift stores, and how to find the right pressure to capture the hidden textures.